Artworks displayed at the Grumpy Old Men exhibition, reflecting the wisdom and lessons learned from fathers.
The Grumpy Old Men exhibition, organized by Gallery Director Peter E. Roberts, is currently on display at Location Gallery in Savannah. Featuring 13 male artists, the show displays unique artwork reflecting life lessons learned from fathers or father figures. Proceeds will benefit the Frank Callen Boys & Girls Club, emphasizing the exhibition’s meaningful contribution to the community. The exhibition runs until August 15 and invites visitors to engage with the poignant themes of paternal wisdom and relationships.
Savannah, Georgia – The Grumpy Old Men exhibition is currently open to the public at Location Gallery, located at 251 Bull St. This unique art show features the works of 13 male artists who reflect on the lasting life lessons they learned from their fathers or father figures. The exhibition not only showcases their artistic talents but also serves a greater purpose as its proceeds will benefit the Frank Callen Boys & Girls Club.
Gallery Director Peter E. Roberts organized the exhibition. Known for his creative themes often sprinkled with punny elements, Roberts conceptualized this exhibition following discussions with other male artists. These conversations revolved around wisdom gained from fathers that challenges traditional notions of toxic masculinity.
The participating artists include notable names such as Randy Akers, Steve Bliss, Bob Christian, Brian Condon, Charlie Ellis, James Graham, Bernard Nolan, Christopher Roberts, Matt Toole, Eric David Wooddell, James Zamora, and Jason Zimmer. Their diverse backgrounds and individual interpretations of fatherly wisdom contribute to the rich tapestry of the exhibition.
Among the featured works, Peter E. Roberts has created a piece titled “Best Tool for the Job”, which incorporates a Swiss Army knife that was gifted to him by his uncles. This piece symbolizes practicality and the value of being prepared, lessons likely learned from his family.
Eric David Wooddell’s artwork, “It’s Always There”, is a mandala crafted from words cut out of a well-worn copy of Ram Dass’s Be Here Now. This book, a cherished gift from a friend who established an ashram in India during the 1970s, was repurposed into art after it began to deteriorate, emphasizing the concept of transformation through time.
Another poignant contribution comes from Steve Bliss, who frequently collaborates with his son on his pieces. His work draws inspiration from graveyard scenes and relates to the paintings of Jean-Auguste-Dominique Ingres, particularly depicting the themes of memory and paternal relationships. Meanwhile, Matt Toole has created an unconventional piece formed from found objects, presenting a golden toilet as a humorous but thought-provoking commentary on toilet training—what he calls a “liberal interpretation” of the exhibition’s theme.
Bernard Nolan’s piece, “Complete Job, Complete Job”, reflects a meaningful phrase from his father that continues to resonate with him. Likewise, Jason Zimmer’s work features a detailed drawing of Beaver Creek in southern Illinois, echoing fond memories of fishing with his dad, a tribute to their shared experiences.
Other artists such as Randy Akers and Brian Condon also contribute their reflections, with Akers commemorating his father’s spirit of capability and confidence, while Condon celebrates his father’s love for nature through his artistry. Christopher Roberts introduces an outsider art piece based on a story involving his friend’s uncle and the famous artist Andy Warhol.
The Grumpy Old Men exhibition aims to invite visitors to engage in contemplation about their own fathers and the invaluable advice they carry into adulthood. The exhibition will remain on display until August 15. For those interested in viewing or purchasing artwork from the exhibition, more information is available at the gallery’s website, locationgallery.net.
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